alto saxophone, bass clarinets, composition


Clay (2021) was commissioned by Calefax Reed Quintet. The première took place at Concertgebouw Amsterdam on 26 April 2021. Clay is published at

Leichte Überlappungen

Leichte Überlappungen for 2 bass clarinets
composed for Fie Schouten and Jelte Althuis
Track 1 of the album 'Chambery' (Attacca label, Composers Series)
The score is available as a hard copy and as a pdf download at

Too Dark To Read

Too Dark To Read for 7 bass clarinets and 3 contrabass clarinets, composed for the Basklarinet Festijn 2014. Performed by Harry Sparnaay, Ernesto Molinari, Claudio Puntin, Steffen Schorn, Jelte Althuis, Fie Schouten, Tobias Klein, Laura Carmichael, Ainhoa Miranda and Oguz Buyukberber. Recorded at De Toonzaal, Den Bosch, on 13 april 2014.


VEILED (2013) composed for the David Kweksilber Big Band, an extended big band with double reeds, 2 percussion and soprano voice.

Bohemians Gone Extragalactic

Written for Spinifex Maximus in the spring of 2015. Instrumentation:
2 trumpets, 2 trombones, tuba, alto sax, tenor sax, baritone sax, electric guitar, bass guitar, 2 drums

Tung Sten

Written for Oguz Büyükberber, Ernesto Molinari and Tobias Klein in early 2014. Adapted for 2 contrabass clarinets.


Written for Almeida/Duynhoven/Klein in 2014. Instrumentation: alto saxophone, double bass and drums.

Mad Stork

Mad Stork (2012) composed for Tetzepi

Instrumentation: small big band - 4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums, plus improvisor (on this recording: Niels Wogram, trombone)


VERBO10 (2004) written for trio To be sung (soprano, cello, bass clarinet/clarinet).


metaQ (2004), originally composed for Man Bites Dog Eats Amsterdam Klezmer Band, scored for and performed by Spinifex Orchestra.

Hipsters Gone Ballistic

for trumpet, alto saxophone, electric guitar, bass guitar and drums.
written for Spinifex in februari 2011